By Don Adams (auth.)
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I would go anyway,” said Miss Goering. (18) The second section of the novel is set in Panama and focuses on the story of Mrs. Copperfield. Miss Goering’s story is continued in the novel’s one is never quite totally in the world / 25 third section, which draws to a conclusion with a meeting between her and Mrs. Copperfield, in which the two serious ladies’ life choices and trajectories are compared and evaluated. The novel’s ending is punctuated by a final interior soliloquy by Miss Goering following Mrs.
A child does not stop crying if we suggest to it that perhaps there is no bread. It goes on crying just the same. The danger is not lest the soul should doubt whether there is any bread, but lest, by a lie, it should persuade itself that it is not hungry. It can only persuade itself of this by lying, for the reality of the hunger is not a belief, but a certainty. (Waiting 138) In an age in which chronic spiritual hunger has resulted in a collective disbelief in the hunger’s existence, the allegorist inevitably arises, like a prophet from the wilderness, to dramatize the spiritual plight.
Here she collapsed and sobbed so pitifully that Beryl, wringing her hands in grief, sprang to her side, for she was a most tenderhearted person toward those whom she loved. (382) It is Beryl’s tenderhearted relationship to Harriet that is symbolized by the open can of beans in the hollow at the base of the tree’s exposed roots, for when Sadie first met Beryl upon arrival at the camp’s lodge, Beryl was spooning “some beans out of a can she was holding” (378). Beryl’s obvious attachment to Harriet, and Harriet’s obvious collusion with and dependence upon Beryl, seems to have affirmed Sadie’s sense of dislocation and abandonment, further prompting her breakdown—exposing her uprootedness.
Alternative Paradigms of Literary Realism by Don Adams (auth.)